Paradiddle Grooves

A heads up, the following grooves are fairly difficult. They are based on accented paradiddles and paradiddle inversions, so familiarise yourself with those before you attempt these. Otherwise you might struggle! It's also a good idea to use a metronome.

  1. Grooves 1-3 use the paradiddle (1), inverted paradiddle (2) and reverse paradiddle (3) for the snare and hi-hat parts. For the sake of simplicity I've used the same bass drum pattern in each groove. If you struggle with the coordination, simplify the grooves by ignoring the ghost note and accents. You can add them back in once the groove feels more natural to play.

  2. Grooves 4-6 combine half a bar of two different paradiddles. ‘4’ combines the paradiddle and inverted paradiddle, ‘5’ the paradiddle and reverse paradiddle, and ‘6’ the inverted paradiddle and reverse paradiddle. Again, I've used the same bass drum pattern in each groove.

  3. Grooves 7 & 8 feature the paradiddle, inverted paradiddle and reverse paradiddle in a random order. I have also changed the bass drum pattern in each example. It's a good idea to get comfortable with the groove's sticking pattern before adding the bass drums.

  4. Grooves 9-11 incorporate ideas from the Accented Paradiddles lesson, which results in displaced snare accents — accents that are no longer exclusively on the second and forth beat of the bar. These grooves are fun to play but technically challenging. As with the previous exercises, start with the sticking pattern before adding the bass drums.

  5. Once you can play 1-11 get creative. These grooves are just examples so try changing the bass drum patterns or moving the accents to different parts of the beat to make your own variations.

PDF download: Paradiddle Grooves

Accented Paradiddles

Accented Paradiddles are some of my favourite exercises to play for improving stick control and technique. The paradiddle is a versatile rudiment that has many applications on the kit. Having the technique to accent the different notes that make up the paradiddle will give you the ability to play a ton of cool grooves, fills and a world of options when it comes to soloing. That makes them well worth practicing!

  1. To start off, practice exercises i-iv on a pad or snare at a slow tempo to a metronome. 

  2. Once you can play i-iv comfortably, try moving the accented notes around the toms whilst keeping the unaccented notes on the snare at a low volume.

  3. Next, try switching between the different patterns. For example, play exercise ‘i’ four times before moving straight to ‘ii’ without stopping, then to ‘iii’ etc. This a great way to become more familiar with each pattern. It also involves a bit of mental gymnastics to make sure your sticks are in the right position for each stroke!

  4. 1A - 4C involve different combinations of i-iv. In 1A-C beat 1 changes, in 2A-C, beat 2 changes, etc — You get the idea! These are great exercises for the pad and kit. Once mastered you can develop it further by combining the different exercises to form more complex phrases.

  5. Try applying these ideas to a different rudiment or sticking pattern, such as the reverse paradiddle (RRLR LLRL).

PDF download: Accented Paradiddles